The nature of the seabed is the inspiration for the Mediterraneo fruit bowl. LPWK- Emma Silvestris celebrate coral, transferring the magical and symbolic aura of the underwater world into the metal. Made of stainless steel, the Mediterraneo fruit bowl brings light and essential shapes that populate the sea to the table.
Available in sizes: 21, 25 and 29 cm
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The soft lines of this juicer, made almost entirely of stainless steel, clearly reveal Stefano Giovannoni’s search for a sort of new classicism, of harmony, for the domestic landscape of this century.
The conica, the first espresso coffee maker project by architect Aldo Rossi, was born from a play of simple geometric shapes that form a mini table architecture, with a concise and elegant style. A timeless icon, the conica has a stainless steel body and a copper bottom: a refined object, with essential geometric lines that give life to a functional tool with which to prepare and serve coffee.
Available for 3 and 6 cups
The 9091 kettle has a melodic brass whistle with a new shape, made up of two small pipes in which choristers are inserted which reproduce the notes E and B. Richard Sapper created it inspired by a childhood memory, the poetic sound of the sirens of the boats on the Rhine river: because the melody that accompanies the release of the steam must be pleasant, not anxiety-provoking like the typical whistle of kettles. The 9091 kettle is a multi-sensorial object, which will not interrupt a pleasant pause with a whistle, but with an enveloping melody.
An ironic tribute to a real woman, Anna G.’s smiling face has become a cult figure over the years, a true “design portrait”. With the Color Tales collection, his unmistakable smile returns with a small series of new color versions, a tribute to the chromatic research of its author, Alessandro Mendini.
Electric version of the famous kettle with the bird, it represents for Alessi the meeting point between great design and large-scale production methods, a meeting obstinately sought by Michael Graves, applying his personal visual code that blends influences from Art Deco to Pop Art up to the language of cartoons.


