The 9091 kettle has a melodic brass whistle with a new shape, made up of two small pipes in which choristers are inserted which reproduce the notes E and B. Richard Sapper created it inspired by a childhood memory, the poetic sound of the sirens of the boats on the Rhine river: because the melody that accompanies the release of the steam must be pleasant, not anxiety-provoking like the typical whistle of kettles. The 9091 kettle is a multi-sensorial object, which will not interrupt a pleasant pause with a whistle, but with an enveloping melody.
The Girotondo perforated basket is an icon of the Alessi catalogue. The creative duo King-Kong, Stefano Giovannoni and Guido Venturini, created the motif of the little men chasing each other in a merry-go-round, hence the name of the collection: a fretwork with an immediate and evocative language, which finds space on everyday objects.
Diameter cm 18
CACTUS! è una fruttiera decorata da un traforo che ricorda il fitto intrecciarsi delle pale dei cactus. Il traforo diventa un elemento ornamentale che conferisce valore a un oggetto apparentemente semplice, ampliando la sua funzione da contenitore a ricercato elemento d’arredo.
Disponibile in 4 colori diversi e in due misure: 21 e 29 cm
The pots of the Mami collection, created by Stefano Giovannoni, are a hymn to the soft and pot-bellied shapes of the traditional Italian utensils from which the delicious aromas of Sunday lunch spread throughout the house. The Mami cookware set is made of 18/10 stainless steel, with a polished finish.
Juicy Salif, the design icon par excellence and citrus juicer with a revolutionary yet surprisingly functional design. Outlined in its essential features by Philippe Starck during a seaside holiday in Italy, on a pizzeria placemat. Omnipresent in homes all over the world, and exhibited in the most prestigious museums on the world scene, Juicy Salif is much more than a simple citrus juicer: it has now become an icon of international industrial design.
Electric version of the famous kettle with the bird, it represents for Alessi the meeting point between great design and large-scale production methods, a meeting obstinately sought by Michael Graves, applying his personal visual code that blends influences from Art Deco to Pop Art up to the language of cartoons.
